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Joined 5 months ago
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Cake day: August 12th, 2025

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  • I’m not going to fault you for that - but do you think you should receive an award for the work you didn’t do? Even if you only use the car on the “easy” parts of the race that nobody cares about?

    In the case of this particular game, perhaps the bulk of the creative work was done by humans. But if the GOTY committee isn’t confident with drawing a line between what work is OK to offload onto an AI and what work isn’t, then I think it’s fair for then to say this year that any generative AI use is a disqualifier.

    You and I can say with ease that an implementation of a basic swap function (c=a, a=b, b=c) doesn’t require any creative work and has been done to death, so there’s no shame in copypasteing something from stackoverflow or chatgpt into your own code to save time.

    But it’s harder to gauge that for more complex things. Especially with art - where would you draw the line? Reference material? Concept art? Background textures or 3d models of basic props (random objects in the scene like chairs, trees, etc)?

    I don’t think there’s a clear answer for that. You might have an answer you think is correct, and I might have one as well, but I think it will be difficult and time consuming to achieve consensus in the game development community.

    So, the most efficient answer for now is to have any generative AI be a disqualifier.




  • I’d quibble that the average medieval peasant faced a lot less surveillance than the average citizen of any country today (Though perhaps that’s just a change in methods).

    But you are right - and, in fact, I think it’s the case that countries/people in worse circumstances tend to have more kids (probably some weird evolutionary thing but I don’t want to speculate). As tough as times may seem in “developed” countries, most people don’t need to worry about where their next meal is coming from.

    (This isn’t to say that circumstances are “fine” or that we shouldn’t improve things - simply pointing out some biological factors). It’s also worth noting that folks in worse economic circumstances tend to having a higher number of people in their “support network” (friends and family - ie, 3 generations living under one roof). Though perhaps this is not the case in the US since it’s culturally looked down upon to rely on family like that.

    It’s an interesting phenomenon that can’t be boiled down to 1 or 2 simple factors like government type. Maybe this was too much text and I should’ve just said “I agree with you DeathByBigSad”






  • Has the concept of UBI been around long enough to fulfill your requirements? A 20-year study across a large population would of course be superior, but shorter-length studies with less people are necessary to prove/disprove whether those large scale studies should be funded. Not to mention the ethical implications of forcing someone into a large scale study like that before any results have been shown at all.

    I think it’s fine to be skeptical of anyone considering UBI to be “case closed”, but small studies being done before large studies is standard practice. You can’t give that kind of grand scale funding to every hypothesis that pops into someone’s head, so it’s a reasonable way of determining what shows promise and should be looked into more.



  • Well, there are plenty of famous artists who only became famous after they died. Contemporary popularity doesn’t guarantee historic/cultural impact.

    I’m not aware of the specific requirements of this program, but Iteland also has a case for cultural preservation, particularly with works in the Irish language, which may not have the international appeal necessary to make a good profit but are important for intrinsic reasons to Ireland.

    There’s also the case to be made that in order to become a great artist, you must first be a bad artist - and there aren’t that many jobs for internships/apprenticeships in the arts, especially as some of the more “basic” jobs (cheap graphic arts, copywriters, muzak, etc.) are snapped up by AI.

    I think there is an interesting discussion to be had about what an artist must have in order to qualify for something like this. I would also be concerned with “antiestablishment” works possibly being excluded.