

I read an interview with Nolan where he said that because he’s red / green colorblind, he deliberately color grades his films to desaturate those colors and make the final result more accurate to what he sees.
Doesn’t change the fact that bronze/ heavily pigmented ancient Greece is a horrible choice for such a treatment, but still interesting why he does it.


How about stylistically and thematically consistent? Surely, Nolan could have at least tried for that?
Again, multiple other characters in the trailer who are of the same status level, time period, and culture, but no consistency.
Egger’s The Northman was an equally mythologically interlaced tale, but you don’t see any vacuformed plastic there, do you?